T H E D I R E C T O R

Marc first got his thirst for film direction in 2002. Having already worked as an illustrator, visual storytelling had tremendous appeal to him. He attended NYFA in Universal City, CA along with Paul Olson that year. Having received a degree in Animation, Marc has spent the last few years working as a Character Animator, an Illustrator, a Concept Artist, a Colorist, a Tattoo Artist, a Lead Game Designer, and Art Director on everything from television to the web. All of it pales in comparison to the thrill of the film set however and his focus is sharper than ever. A strong sense of visual composition along with a vast background in music helps him understand the role of a Director in not just delivering a story, but to guide the audience through feeling and the emotional dynamics of the journey making Marc a driving creative leader.

Read Marc’s blogs here.

View Marc’s IMDB page here.

View Marc’s website here.

T H E C I N E M A T O G R A P H E R

Paul doesn’t wear shirts and is often referred to as the “Naked DP”. While attending school at NYFA in Universal city, CA back in 2002, Paul discovered his love for cinematography. He instantly fell in love with the digital medium, and has always kept on the cusp of the industry’s latest technologies. He also has a knack for editing and became Final Cut certified in 2005 which lead to his first edited feature film that went on to win Moondance International film festival as well as many others festivals around the world.

View Paul’s blogs here.

View Paul’s IMDB page here.

View Paul’s website here.

T H E P R O D U C E R

Aaron is at the helm of Brotherhood Pictures. Having been thrust into the role of Producer on Brotherhood’s first film, The Kings of Mexico, Aaron realized he had a creative fire burning that just kept going. Aaron is one the biggest forces behind Brotherhood’s story development processes, and has perfected a creative working relationship with Director Marc Hampson over the past ten years. His ability to find potential in a project helps to keep Brotherhood fresh and always evolving.

T H E S O U N D G U Y

Ronnie, or “Ronster the Monster” fell in love with sound engineering at a young age. He attends a unique UCLA program where he receives training in some of music’s most infamous studios in the L.A. area. In an effort to expand his talents, he hooked up with Director Marc Hampson to do Boom work and Sound mixing in 2007. As he became more and more involved, he found that while sound engineering for music is very satisfying, sound mixing and design for film opened up a lot of creative opportunities. He has since redirected his focus and has become a one man sound department.

View Ronnie’s IMDB page here.

T H E MUSIC G U Y

Tom comes from a lifetime of musical pursuit and artistry. Since he picked up his first guitar at the age of eight, his primary passion has been to create new and moving sonic art, and to seek out and collaborate with like-minded individuals in the field of music. While growing up, Stillwagon wrote and performed with various bands in and around Riverside, California. He later moved to the Los Angeles area, where he was quickly immersed in its diverse and dynamic music scene. Following initial positions at the law firm of Keith A. Fink and associates, and later at Hill, Farrer and Burrill, Stillwagon sought to apply his business experience to the music industry – working first with top 40 research and compilation company Radio Express, and then with the artist placement service Taxi Music. At present, Stillwagon’s creative titles include musician, songwriter, arranger, producer, engineer, and band leader, with credits on over 20 releases. Having found the perfect vehicle for showcasing his musical passion and talent, Stillwagon is excited to bring his business and artistic experience tothe table.